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blakes7-d Digest Volume 98 : Issue 21
Today's Topics:
Re: [B7L] Sevenfold Crown
[B7L] Orac in Ep 52
[B7L] re: south park liberator
[B7L] RE: Paul Darrow interview...
[B7L] Doesn't like Harvest of Kairos?
Re: [B7L] Secrets of B/A revealed
Re: [B7L] Re beards
[B7L] Beards
Re: b7spin: Re: [B7L] Steven Donaldson
[B7L] Zine lists: all-B7 gen, 2 of 2
------------------------------
Date: Thu, 22 Jan 98 11:19:41 +0000
From: "Alan Edwards" <lists@netcomuk.co.uk>
To: blakes7@lysator.liu.se
Subject: Re: [B7L] Sevenfold Crown
Message-ID: <2241191198559ntc@netcomuk.co.uk>
Content-Type: text/plain; charset="us-ascii"
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In your Message regarding "[B7L] Sevenfold Crown" dated 17 Jan 98, Judith
Proctor <Judith@blakes-7.demon.co.uk> said that ...
> I've got to listen again to be sure whether I actually heard Servalan order
> 'Bring me up' in a context that implied a teleport. I hope I imagined it.
> The Federation don't have the teleport.
That was near the beginning, in Avon's Servalan-induced dream, right? It
could just have been Servalan's wishful thinking.
Alan.
--
***************************************************************************
* Alan Edwards lists(@)netcomuk.co.uk *
* PGP KeyAvailable *
------------------------------
Date: Fri, 23 Jan 1998 01:22:19 +1100 (EST)
From: werry@netspace.net.au (John Werry)
To: blakes7@lysator.liu.se
Subject: [B7L] Orac in Ep 52
Message-Id: <199801221422.BAA00960@hurricane.netspace.net.au>
Content-Type: text/plain; charset="us-ascii"
Hi folks,
I have just joined this list (well ... been lurking a week anyway) and find
some of the conversations fascinating. I have been a B7 fan for 20 years and
vividly remember many of the eps when they were first screened on OZ-ABC in
1980-82. Possibly more of that later.
Apart from some concerns about the "science" in the series (eg when if ever
was anyone weightless? How could this be?), the thread about ORAC's
independence of thought triggered a Qn. If ORAC was so logical, why didn't
it ditch Avon and crew at an earlier opportunity for the Federation (Which
logically must have got there in the end ... esp after Series 3). Orac
appeared to show loyalty to Avon and Crew on a number of occasions (eg
"Switch me off" during the one about the headless robot) Why should ORAC care?
BTW ... Yes I remember the Shoot out at the end of the Ep ... but when I
first saw it - I was sure that Servelan appeared at the end. A number of
people who viewed this at the time (ie 1981/2) also recall her appearance. I
was suprised on viewing the tapes 3 years ago to find that she wasn't in the
Ep. I found this most unsatisfying. Was there any reason for this, or was it
one of the unexpected fatalisms that constantly surfaced in the series?
>
>Jackie wrote:
><snip>
>> Perhaps Orac`s
>> research had discovered that the Federation intended to catch Blake, and
>> Avon`s original intention was to get Blake out of there. With the Scorpio
>> destroyed, there was no escape for any of them.
>> Time ran out the moment Blake walked into the tracking Gallery.
>> One thing was definate, Blake could not now be turned against the
>> Rebellion again.
>
>This would make a great story. If you write fanfic, consider it. Your
>reasoning is creative, chilling, and as darkly ironic as the series. :)
>Pat P
Regards: John
*******************************************************************
John Werry
Science Coordinator, Northcote H.S. Science & Technology Centre
Vice President (Membership), Science Teachers' Association of Victoria
Science Method Lecturer, University of Melbourne
Email: werry@netspace.net.au
Homepage: http://netspace.net.au/~werry/indexb.htm
------------------------------
Date: Thu, 22 Jan 1998 15:55:41 -0000
From: Alison Page <alison@alisonpage.demon.co.uk>
To: blakes7@lysator.liu.se
Subject: [B7L] re: south park liberator
Message-ID: <885485533.108919.0@alisonpage.demon.co.uk>
Content-Type: text/plain; charset=ISO-8859-1
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I know this is an old thread, and I personally haven't a clue what 'south
park' is, but I just read a load of posts on another list about an x
files/south park crossover. Is this spooky or what? I liked the scooby doo
idea better myself, but then I am getting on a bit.
Alison
PS my kids tell me south park is on at about 6.30 on a Sunday morning. I
never even knew they got up that early
------------------------------
Date: Thu, 22 Jan 1998 11:35:39 EST
From: penny_kjelgaard@juno.com
To: blakes7@lysator.liu.se
Subject: [B7L] RE: Paul Darrow interview...
Message-ID: <19980122.083012.3007.1.Penny_Kjelgaard@juno.com>
wysiwyg://22/http://www.oi.beeb.com/chat/transcripts/pages/980116_blake/index.html
This is the URL for the Paul Darrow interview. I finally logged on
through Prodigy interntet. There are a few pictures, as well.
But, here is the cleaned up down load I got...no infringement on
copyrights, I hope.
Penny
Avon gets high-tech at beeb...
After an absence of 16 years the cult SF show "Blake's 7" finally
returns to the BBC in an all new adventure - on radio!
Paul Darrow who plays Avon, and the veteran "Blake's 7" director,
Brian Lighthill, were teleported down to beeb to answer your questions
about the cult science fiction show.
The new radio programme,'The Sevenfold Crown', captures the
spirit of the original series and promises to introduce a whole new
audience to the show. It was written by former "Dr Who" producer, Barry
Letts, and directed by "Blake's 7" veteran, Brian Lighthill: "Brookside,"
"The Invisible Man" and "Coping with Grown-Ups."
Set sometime during the fourth season ,i.e., before our motley
crew met a bloody end (or did they...?), this special radio adventure
heralds the return of many of the original cast, but most notably the
show's amoral hero, Avon, played with sneering relish by Paul Darrow - A
celebrated performance that has spawned a worldwide fan base, and earned
him a well-deserved place in television folklore.
Despite an eclectic career, it is the role of Avon with which
Paul is most associated. It's also led to him being offered lots of roles
that would have involved donning a black leather costume and a curling
lip! Perhaps the greatest accolade afforded Paul's performance came from
the Hell's Angels who actually think Paul is a hard man! Which begs the
question - just where does Avon end and Darrow begin?
So if you want know all about what it was like directing "Blake's 7" for
radio and how Paul Darrow went about recreating his role of Avon, read on
below for the inside story...
Paul Darrow and Brian Lighthill live on beeb
beeb: “Paul Darrow and Brian Lighthill have arrived at beeb and are
warming up to answer your questions. And the first question is coming
through now...”
Louis asks: “Brian, many cult television shows such as "The Avengers",
"Thunderbirds" and "Red Dwarf" are about to get the big screen treatment.
Would such a route be justified for "Blake's 7" or has it become too
dated?”
Brian Lighthill: "I think that "Blake's 7" has a huge following and is
open for a come-back whether as a movie, or a television programme, or a
radio programme. I think at the time of the demise of sci-fi on
television, the BBC was competing with big-budget things like George
Lucas's Star Wars. But now special effects such as those used in Star
Wars are far more readily available, and are far less expensive to
produce so there's scope for them to be used far more in television
productions. I'd be available to direct "Blake's 7" in any form, whether
it be a big-screen, radio or television production. You'd just have to
take into account that we're all a lot older and grayer than we were 16
years ago...I think we'd have to talk to the cast and see if they were
willing to go back. But on the other hand we'd have to consider recasting
and some people may feel cheated if we did that.”
John asks: “What attracted you to the prospect of reprising the role of
Avon after such a long absence?”
Paul Darrow: "I created the character of Avon. Terry Nation presented him
to me as an idea to work on and flesh out. So he is always a part of me,
and it's a wonderful part. So I welcome any opportunity to play him,
whether on radio, television or film. I would always want to play him
again."
Paul asks: “Paul, do you feel that you've been typecast?”
Paul Darrow: "Yes!...That's the short answer. But I don't mind because
there are so many variations on the theme of the Avon character. Yes, I'm
type-cast as Avon, who is a very hard man. I don't mind...even though I'm
a pussycat!"
Polythene Pam asks: “Brian, given British television's heritage in
producing ground-breaking SF/Fantasy series; "Doomwatch", "Doctor Who",
and "Blake's 7", what are your views on the commissioning executives
reluctance to produce new SF series?”
Brian Lighthill: "I'll talk more specifically about radio commissioning
because that is more relevant. There was resistance to sci-fi on radio
because they thought it wouldn't work. I disagreed, sci-fi on radio is a
real challenge, it relies on the imagination, it's like telly but the
pictures are better. I just knew that there was a market out there and
judging by the response so far I've been right. I think there's less
reluctance on television, but whether they'll commission a new series or
buy in I don't know. Sci-fi is very hard work and that's why it's always
such a struggle to get anything produced."
Joe asks: “In the opening scene of the radio play you were being whipped
by Servalan. Was it an enjoyable experience?”
beeb: Watch out, Paul, you don't want to reveal all your secrets!
Paul Darrow: "For whom? (nonchalantly munching on a bunch of grapes) I
take it in my stride, these things happen, it's showbizz...She told me
she liked it!"
Jamie asks: “Brian, would you describe "Blake's 7" as a space opera or
bona fide drama series?”
Brian Lighthill: "Oh, it's definitely a bona fide drama series with a
very strong comedy element. I think the comedy is so strong, it's such
fun - it's not a soap opera at all. I think one of the reasons why it's
so popular is because its not situation-led but character-led."
Joe asks: “Did you base the character of Avon upon anyone in particular?”
Paul Darrow: "No! Just me. Let me expand...What I tried to do was imagine
what I would do if I was in Avon's situation. And I played it as
realistically as I could in a fantastical situation."
Grace Robbins asks: “I feel that Avon was a man of contradictions - noble
and honorable even though distant on the surface. Do you agree?”
Paul Darrow: "I agree to a certain extent, for example, he would always
keep his word...if he told you that he was going to kill you, he would do
it. So I think that saying he's a man of his word is a fair description."
Richard Peacock asks: “Do you think that now "Blake's 7" and "Dr Who"
have returned to radio, the BBC might be taking science fiction a little
more seriously?”
Brian Lighthill: (nodding)"Certainly. I have been pushing for sci-fi on
radio for the last twelve months. It's hard work...but there seems to be
a slight shift."
Paul Darrow: "I'm surprised that they don't take it more seriously
because it's clear from the reaction to "Blake's 7" on radio, television
and even on satellite that there is a demand - and not just here, all
over the world."
Julie H asks: “Do you think your "Blake's" 7 script 'A Man of Iron' would
adapt well for radio?”
Paul Darrow: "Wonderfully! I actually wrote that script. What happened
was that there was a strike while we were on location and the producer,
Vere Lorrimar was worried that we'd run out of scripts. I offered to
write one and he said: "Right! I'll need that by Monday!" Vere quite
liked what I came up with and showed it to the script editor who said
something like: "Actors should stick to acting." To which I replied: "You
mean actors like Shakespeare, Pinter and Coward?" and we fell out for a
while...So I auctioned the script for charity in America and it actually
made quite a lot, more than if it had been used on the television series.
And I have to say this, because he's sitting next to me, but if the
script was ever used, Brian Lighthill would be the perfect director!"
nzfan asks: “The sci-fi writer, Tanith Lee, did some wonderful scripts
for "Blake's 7", any chance of any future "Blake's 7" involving her?”
Paul Darrow: "I know her and I think she's a wonderful writer. She wrote
some superb stuff for "Blake's 7" and I would be delighted if she wrote
more for us."
Brian Lighthill: "If we're lucky enough to get another commission for a
one-off then out of loyalty I would naturally gravitate back to Barry
Letts. But if it was another series I would consider other writers."
nzfan asks: “Servalan and Avon have a very steamy relationship. Where do
you see that going?”
beeb Not the hot-tub Paul, please!
Paul Darrow: "Well I suppose they could get married and then populate the
universe with little Servalans and Avons. I don't think I'd like to live
in that universe."
Tony McGonagle asks: “Was it a struggle battling with the famously
limited BBC special-effects budget? How did you cut corners?”
Brian Lighthill: "There is no limit on radio that's why I enjoyed it so
much. I think now there are less limitations than there were 16 years ago
when the series ended. The technical hardware is readily available and is
cheaper so there shouldn't be a problem."
Avon-Great-Man asks: “Servalan was seen as a sex symbol at that time.
What was it like acting with a woman that was seen by many as a sex
symbol and did you see her as a sex symbol”
beeb Every teenage boy at the time had the hots for old Servalan!
Paul Darrow: "It was sexy working with her! She was not a symbol to me -
she was there in the flesh. So hard luck, whoever you are!"
Grace Robbins asks: “How do you feel about Generation X rediscovering
"Blake's 7"?”
Paul Darrow: "It's marvelous. I thought that "Blake's 7" was beautifully
written. Terry Nation, who is sadly no longer with us, was brilliant, and
so were all the other people involved. That's why it was first class."
Brian Lighthill: "My surprise and delight is the breadth of the interest,
it extends right across all the ages. And it's not because of special
effects...I think it's the characters which have provoked the interest."
guest144 asks: “Where do you think the current enthusiasm for
resurrecting 70's sci-fi drama series stems from - old fans after a
nostalgia trip or new ones looking for something beyond the standard
'gritty realism' of much drama in recent years?”
Brian Lighthill: "It's a mixture really - a mixture of nostalgia and the
fact that there's nothing around to satisfy that need."
Grace Robbins asks: “What would you most like to have changed about
"Blake's 7"?”
Paul Darrow: "Well it wouldn't be called "Blake's 7" if I had my way. It
would be called something like "Avon's Angels" and it would be me
surrounded by stacks of gorgeous women."
Brian Lighthill: "Oh no! But I agree with Paul, it shouldn't be called
"Blake's 7" because Blake disappeared at the end of series two."
nzfan asks: “What plans are there in the pipeline for Paul Darrow”
Paul Darrow: "I'm about to do a stage version of Terry Pratchett's
"Guards! Guards!" So if you're familiar with Terry's work I don't have to
tell you what it's about...and if you're not, come and see it. We'll be
touring from March all over the country starting in Blackpool and then
playing at the Hackney Empire, Newcastle and loads of other venues. A
list will be available by the end of the month."
Rulph asks: “How would you compare "Blake's 7" to "Dr Who"?”
Paul Darrow: "I don't want to be rude to "Dr Who" enthusiasts but I
always felt that "Dr Who" was aimed at children of all ages, whereas
"Blake's 7" was aimed at adults. It was actually written in the "Blake's
7" magazine that the average age of our audience was 23-30. I suspect
that the average age of the "Dr Who" audience is slightly lower."
Joe asks: “Which programmes/films do you believe have been influenced by
"Blake's 7"?”
Paul Darrow: "The Full Monty! Because you didn't get it in "Blake's 7"!"
nzfan asks: “Years ago someone complimented Tom Baker of "Dr Who" fame on
how lightly he walked when in character. He replied that he wasn't
in-character merely making sure that the flimsy stage walls wouldn't
shake too much! Do you have many similar experiences from your B7 days?”
Paul Darrow: "Oh yes! I always used to hit buttons too hard. So whatever
was attached to the button would collapse. And also I broke a lot of guns
because I did my own stunts which, upon reflection, was rather crazy.) So
a special gun with an aluminium core was made for me...but somebody stole
it. (Shaking his head) Mmmm, theft, it even happens in space."
Villa_the_chicken asks: “Did you ever ask if you could take some of those
leather outfits home with you?”
Paul Darrow: "I have to say that it was first-class leather and it was
very comfortable to wear, especially in winter when I was out on
location. But the outfits were very expensive, so I never had a chance to
take them home with me."
Jamie asks: “Why didn't the radio-play follow on from the final
television episode. Isn't this something of a cop-out?”
Brian Lighthill:(laughing) "Yes it is a cop out. BUT I didn't want to get
into the discussion about whether the whole of the last episode had been
a dream, so I decided to pitch it between the penultimate series and the
last series. And if we ever do another one we'll pitch it in the same
place...probably."
Joe asks: “Who is Avon's 20th Century parallel?”
Paul Darrow: "He's a combination of Bill Clinton and Peter Mandelson."
Joe asks: “Were the Liberator and Scorpio crews really just fighting for
their own selfish agenda or were they fighting for real social/political
change?”
Paul Darrow: "I was fighting for myself! What the others were doing, I
wouldn't know and I don't think they'd know either."
Brian Lighthill: "I think the crew were all fighting for themselves,
despite what Paul might say. It was survival of the fittest on that
spaceship."
Julie Horner asks: “Which were your favourite and least favourite
episodes?”
Paul Darrow: "I did not like 'Animals' and 'Harvest of Kairos'. I liked
all the rest. Particularly those that Brian directed!"
Villa-the-chicken asks: “If "Blake's 7" came back as a
multi-million-pound movie, who, apart from you, do you think could play
Avon?”
Paul Darrow: "Easy...Brad Pitt!"
Diane G asks: “Given that the characterisations were so important in the
show, do you think these have remained true to the original series in
'The SevenFold Crown'?”
Brian Lighthill: "Oh yes! A wonderful moment at the read through was when
I closed my eyes and just listened to the cast, and it was like I was
transported back 16 years, the actors just fell back into their roles as
if it had been last week. So I think they were true to their original
characters. And I think the two newcomers slotted in really well."
odo asks: “What do you think about shows like "The X-files"? Do you like
them? “
Brian Lighthill: ""The X-Files" isn't really sci-fi, it's more sci-fi
with a big dollop of horror added to it. "Babylon 5" is closer to true
sci-fi."
Paul Darrow: "I like "Babylon 5" because I've never seen it, but Mira,
the beautiful actress in it once kissed me - she's the glamorous one, I
can't pronounce her surname. Okay, okay, I'll be truthful...it was a peck
on the cheek and her husband was there at the time!"
Joe asks: “Brian, the time of the radio play is set before the final
television episode. Does this represent an implicit acceptance that the
cast were killed in their final encounter with the Federation?”
Brian Lighthill: "No! It's not an admission at all. I didn't write or
direct the last episode. The actors tell me that they didn't die...but
Paul Darrow says that they did!"
Hamish asks: “Terry Nation, "Blake's 7" creator, who recently died, was
undoubtedly British TV's most prolific SF writer. Is there any one writer
at work today that you feel can take the genre forward into the next
millennia?”
Brian Lighthill: "Mmm, taking it forward? Well, moving to the cusp of the
millennium, there's Terry Pratchett who has moved the genre to
Science-Fantasy rather than Science-Fiction."
Paul Darrow: "I would agree, but there's also a lot of untapped sci-fi
writing, for example we've had 2001. I've just read 3001 which I'd like
to see at the movies."
Brian Lighthill: "Talking of Arthur C. Clarke, I've just produced his
"Childhood's End" for Radio 4. This production is now available on
cassette."
Richard Gregory asks: “Apart from Servalan, Avon got some of the best
one-liners. Which one did you particularly like?”
Paul Darrow: "My very favourite was when one other character asked me why
people behaved as they did. And the reply was: "Try greed - it's usually
reliable!""
Marshall Wilson asks: “How much interest do you think there would be if
it were to be shown on terrestrial television again?”
Brian Lighthill: "Huge interest. BRING BACK "BLAKE'S 7"!."
Paul Darrow: "I concur!"
Richard Gregory asks: “What do you think made the Avon character so
popular and memorable?”
Paul Darrow: "I've no idea. But if I did, I'd bottle it and sell it."
Julian asks: “Avon was the leading electronics' and computer expert of
the age, but how is Paul Darrow finding his experience on the Internet?”
Paul Darrow: "It's my first time...and the earth moved!"
beeb: “Sadly, we have run out of time too! Sorry to all of you who have
posted brilliant "Blake's 7" questions which haven't been answered - we
just didn't have time to get round to all of them. It's time for Paul
Darrow and Brian Lighthill to select the lucky winners of the boxed-audio
-cassettes of "Blake's 7" 'The Sevenfold Crown', and to say a final
farewell.”
Brian Lighthill: "Very exciting! A great invention to be talking to all
these people! Enjoyed it immensely! Delighted at the response! To those
who can listen to the show tomorrow on Radio 4 at 2.30pm, I hope you
enjoy it. And don't forget, there's a special version on cassette with
interviews with the cast at all good bookshops now!"
Paul Darrow: "I just want to say that I really enjoyed this method of
communication and thank you all for making it possible."
beeb: “Thank you very much for joining us today, Paul Darrow and Brian
Lighthill of "Blake's 7". And thank you also to our great audience. The
winners of the boxed-audio-cassettes of "Blake's 7" 'The Sevenfold Crown'
are Jamie, Grace Robbins and Joe. Well done! Please email your details to
as at: Oi!@beeb.com.”
beeb: “For those of you who didn't win a prize: "Blake's 7" 'The
Sevenfold Crown' (BBC, £8.99) is available from all good book and record
shops.”
beeb: “And don't forget there are more star chats lined up for next week
on Oi! including Sister Wendy Beckett, Edward Briffa who is the
Controller Online and Interactive, BBC Broadcast and of course there's
also our regular Top of the Pops Oi! Chat on Thursday. But for now,
that's all from beeb's Oi!Chat for this week, have a good weekend.”
BBC Worldwide Ltd.
_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
------------------------------
Date: Thu, 22 Jan 1998 15:16:26 -0600 (CST)
From: "G. Robbins" <robbins@graceland.edu>
To: blakes7@lysator.liu.se
Subject: [B7L] Doesn't like Harvest of Kairos?
Message-ID: <Pine.HPP.3.96.980122150030.2093A-100000@inet-ux.graceland.edu>
Content-Type: TEXT/PLAIN; charset=US-ASCII
>From transcript of Internet interview of Paul Darrow and Brian Lighthill:
Julie Horner asks: ^SWhich were your favourite and least favourite
episodes?^T
Paul Darrow: "I did not like 'Animals' and 'Harvest of Kairos'. I liked
all the rest. Particularly those that Brian directed!"
Frankly, I was suprized and disapointed that Paul didn't like 'Harvest of
Kairos'. I myself found it very delightful. I've been trying to figure
out reasons why he didn't like it. The cheesy space module scenes? The
ugly oxygen masks Avon and Vila were wearing? Was he jeolous because
Servalan had the hots for Jarvik (although Avon doesn't know this, only
Paul would)? Or is it because his activity with the sopron reminds me of
so many episodes of Dr Who? He said himself earlier the transcripts:
Paul Darrow: "I don't want to be rude to "Dr Who" enthusiasts but I
always felt that "Dr Who" was aimed at children of all ages, whereas
"Blake's 7" was aimed at adults. It was actually written in the "Blake's
7" magazine that the average age of our audience was 23-30. I suspect
that the average age of the "Dr Who" audience is slightly lower."
I got the feeling he was ticked because he couldn't show off his Avonish.
Even though in some ways he was playing Avon to the hilt, in some sense he
wasn't the same. I wish that I could ask him that question, why in
particular he didn't like that episode! I can understand why he might not
like 'Animals', from what I read in the script, but 'Harvest of Kairos' I
just don't get.
---------------------------
Grace Robbins
robbins@inet-ux.graceland.edu
http://www.graceland.edu/~robbins
---------------------------
------------------------------
Date: Thu, 22 Jan 1998 19:00:56 +0000
From: Julia Jones <Julia.lysator@jajones.demon.co.uk>
To: blakes7@lysator.liu.se
Subject: Re: [B7L] Secrets of B/A revealed
Message-ID: <80Bf8AAod5x0EwUd@jajones.demon.co.uk>
In message <34C7794A.63F2@termlow.co.uk>, Jackie <jackiew@termlow.co.uk>
writes
<snip>
>
>Many thanks for the above info. I remember those scenes, but never
>thought about them in a slash way. I shall have to watch them again
>bearing slash in mind.
>
I didn't see any of these scenes as slashy the first time round - mainly
because I wasn't old enough to notice such things when I first saw
series 1 and 2, and by the time I saw them again, I'd seen series 3 and
4 and their very obvious evidence that Avon likes women. Which meant
that I didn't see any sexual connotation in the very strong emotional
relationship between Blake and Avon, until the aforementioned frame-by-
frame description of what I should be looking at. I gave in at Duel.
--
Julia Jones
"Don't philosophise with me, you electronic moron!"
The Turing test - as interpreted by Kerr Avon.
------------------------------
Date: Thu, 22 Jan 1998 23:57:35 -0000
From: "Tom Forsyth" <Tom.Forsyth@btinternet.com>
To: "B7 Lysator" <blakes7@lysator.liu.se>
Subject: Re: [B7L] Re beards
Message-Id: <E0xvXEY-0001eE-00@snow.btinternet.com>
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Steve R wrote:
> Re all this talk about beards, a woman I knew once said she
> preferred men with beards because they tickled during oral sex.
Maybe the men with beards prefer it as well, because they're used to
getting hairs stuck in their throat. Mind you - so am I. I wish the
straggly bits of hair at the top of my forehead would grow long enough so
they'd stay back in a ponytail and not drift forwards into my coffee.
Tom Forsyth
P.S. You're fur obsessed, aren't you Steve? :-)
------------------------------
Date: Thu, 22 Jan 1998 17:27:00 -0800
From: "PATTI McCLELLAN" <patti.mcclellan@kyl.com>
To: blakes7@lysator.liu.se
Subject: [B7L] Beards
Message-ID: <Megw.4848066@powell.fabrik.com>
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7Bit
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Well, I'm going to go on record with a preference for a
non-bearded lover. If much kissing goes on, I always
feel as if someone has taken a sander to my face.
You over there! You shut up about how that would make an
improvement! If I want your opinion, I'll beat it out of
you.
Patti
------------------------------
Date: Fri, 23 Jan 1998 01:37:36 -0000
From: "Tom Forsyth" <Tom.Forsyth@btinternet.com>
To: "B7 Lysator" <blakes7@lysator.liu.se>
Subject: Re: b7spin: Re: [B7L] Steven Donaldson
Message-Id: <E0xvYRC-0004wH-00@snow.btinternet.com>
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Pat P warned:
> oh dear, and I've read LOR 7 times over the years.
> If you want some heavy going, read the prequel, The Silmarillion.
> Pat P
Yes, I've heard nasty things about that. Mainly because I was sharing a
room with someone who was trying to read it. He usually carves through
books in a day or two when he puts his mind to it. The way he kept stopping
every 15 minutes to have a teabreak started to worry me after a while. This
is probably not the book for me.
Tom Forsyth.
------------------------------
Date: Fri, 23 Jan 98 03:14:00 GMT
From: s.thompson8@genie.geis.com
To: space-city%world.std.com%inet01#@genie.geis.com
Cc: blakes7@lysator.liu.se, randym7@bestweb.net
Subject: [B7L] Zine lists: all-B7 gen, 2 of 2
Message-Id: <199801230345.DAA02117@rock103.genie.net>
Content-Transfer-Encoding: 7bit
Content-Type: text/plain; charset="us-ascii"
[Jabberwocky 1: Link-up (Sheila Paulson) see SEVENTH SECTOR #3]
JABBERWOCKY II & III (Sheila Paulson; Mindrape & Healer; US,
1987.3; reprinted in JABBERWOCKY COLLECTED and JABBERWOCKY,
Vol. 1)
JABBERWOCKY COLLECTED (Sheila Paulson; stories reprinted from
various zines; US, 1993)
JABBERWOCKY 14: Malodaar (Sheila Paulson; companion to JABBERWOCKY
COLLECTED; US, 1994; reprinted in JABBERWOCKY, Vol. 4)
JABBERWOCKY, Vol. 1 (Parts 1-4; Sheila Paulson; edited reprint; UK,
1996)
JABBERWOCKY, Vol. 2 (Parts 5-8; Sheila Paulson; edited reprint; UK,
1997)
JABBERWOCKY, Vol. 3 (Parts 9-13; Sheila Paulson; edited reprint;
UK, 1997)
JABBERWOCKY, Vol. 4 (Part 14; Sheila Paulson; edited reprint; UK,
1997)
[Journey (James Ide, part 2 of 3) planned but never published?;
US]
JOURNEY TO B-HIVE-6 (K. Rae Travers and Sophia Mulvey; teddy bears,
humor; US)
[Key (M. Logan & J. Hayward) see CHRONICLES #56/57/58]
KISS OF DEATH (UK, early 1980s)
KLYN'S SEVEN (US)
THE LAST, BEST HOPE (novel by Melody Clark; 100 pp.; US, 1988;
revised reprint, UK, 1996)
LAST STAND AT THE EDGE OF THE WORLD (novel by Ann Wortham & Leah
Rosenthal; US, [1989?])
A LEDGE BETWEEN THE STREAMS (novella by Judith Seaman; UK, 1993)
LES IMBECILES (Carrie Hagen; US, 1986)
[Liberating Scorpio planned but never published? CN, 1992]
LIBERATION #1-3 (aka B7 Liberation; series of stories by Jean Hubb;
US, 1990)
LIBERATOR #1 (first fiction zine of Liberator Popular Front club;
UK)
LIBERATOR #2 (UK)
LIBERATOR #3 (UK, 1978.11)
LIBERATOR #4 (UK, 1978?)
LIBERATOR #5: The Haunting of Haderon (Lillian Shepherd; UK)
LIBERATOR #6 (UK, 1979)
LIBERATOR #7 (first edition: UK, 1979.8)
LIBERATOR #7 (second edition, with slightly different contents:
UK, 1981.1)
LIBERATOR #8: The Estradian Recruitment (novella by Anne Lewis; UK,
1980.1)
LIBERATOR #9 (UK, 1980)
LIBERATOR #10: The Price of Justice (novella by Ermentrude
Postlethwaite-Smythe; UK, 1980.10)
LIBERATOR POPULAR FRONT NEWSLETTER (some issues include fiction)
LIMITATIONS (one story by eight authors; UK)
LINKS: WHAT TO DO AFTER YOU COME BACK FROM THE DEAD (Jonathan
Waite; sequel to "Nyrod" in FRAK #2 & "Powers of Life & Death"
in FRAK #4; UK)
LIVE TO TELL (Shawn Wigton; sequel to FOREVER LIVE AND DIE; part 2
of ?; US, 1990)
LODESTAR #1 (stories by Gail Neville; AU)
LODESTAR #2 (stories by Gail Neville; AU)
LODESTAR #3 (mm but mostly B7; AU, 1985.9)
LODESTAR #4 (AU)
LODESTAR #5 (AU)
LODESTAR OMNI (reprint of #s 1-3; AU)
[The Log of the Hellhound see under Hellhound]
LONE STAR (novel by Leigh Arnold; US, 1986)
THE MACHIAVELLI FACTOR (novel by Lillian Shepherd; UK, 1982.6;
reprint, UK, 1996)
MAGNIFICENT SEVEN #1 (US, ?)
MAGNIFICENT SEVEN #2 (US, 1984.7)
MAGNIFICENT SEVEN #3 (US, 1986.7; reprint omits some stories)
MAGNIFICENT SEVEN #4 (US, 1987.8; reprint omits some stories)
MAGNIFICENT SEVEN #5 (US, 1988.2)
MAGNIFICENT SEVEN #6 (US, 1988.2)
MAGNIFICENT SEVEN #7 (US, 1988.11)
MAGNIFICENT SEVEN #8 (US, 1989.12)
MAGNIFICENT SEVEN #9 (US, 1991.3)
MAN OF IRON (script by Paul Darrow)
MANIFESTO (Freedom Party Services Manifesto? nonfiction?)
MASCARADA (novel by Susan Matthews, plus an extra story; sequel to
THE MIND OF MAN...; part 2 of 3; US, 1985)
MATTE SHOT (Oriole Alma Throckmorton; B7/Star Wars crossover; UK)
[A Matter of Time (Anna Richmond) see AVON #6]
THE MENDARIS CONNECTION #1-2 (Margaret Martin; UK)
[Mercy's Bounty (Donna Chlouber) see AVON #12]
[Metamorphosis (Sheila Paulson) see BLAKE'S DOUBLES #3]
THE MIND OF MAN IS A DOUBLE-EDGED SWORD (novel by Susan Matthews;
part 1 of 3; US, 1983.9)
MIRAGE (series of stories by Jean Graham; US)
[Mission to Destiny (Henry Eggleton) see under Freedom Party
Services novelette #5]
[Moloch (Susan Glasgow) see under Freedom Party Services
novelettes]
[Motley Crew included in MAGNIFICENT SEVEN #9]
THE MOULD (novella by Janet Ellicott; UK)
NECESSITIES (novel by Susan Rotellini; part 2 of 3; US, 1989.10)
[Nemesis (Carol Wyke) see AVON #2]
NETWORK (assorted stories by Candra Deneson; US?)
A NEW BEGINNING (story by Francesca Ward; UK, 1982.4)
[New Horizons, Part 1 (Leigh Arnold) see SURVIVOR]
[New Horizons, Part 2 (Leigh Arnold) see REVELATIONS]
[New Horizons, Part 3 (Leigh Arnold) see FIGUREHEAD]
NEW HORIZONS, Parts 4-6 (series of stories by Leigh Arnold; US,
1986.7)
NEW HORIZONS, Parts 7-9 (series of stories by Leigh Arnold; US,
1987.4)
NEW HORIZONS, Parts 10-12 (series of stories by Leigh Arnold; US,
1988.3)
[New Horizons, Part 13 included in MAGNIFICENT SEVEN #9]
NO ALTERNATIVE (Glen David; B7/Star Trek crossover)
NOVA (novel by Judith Proctor; UK, 1994)
ONE OF THE LESSER HAWKS (novella by Judith Seaman; UK, 1994)
ORAC (published by the Seveners; UK)
ORAC 90
ORBIT #1 (second fiction zine of Liberator Popular Front; UK,
1982.10)
ORBIT #2 (UK, 1983.4)
ORBIT #3 (UK, 1983.9)
ORBIT #4 (UK, 1984.3)
ORBIT #5 (UK, 1985.1)
ORBIT #6 (UK, 1985.8)
ORBIT #7 (UK, 1985.10)
ORBIT #8 (UK, 1986.1)
ORBIT #9 (UK, 1986.6)
ORBIT #10 (UK, 1987.3)
ORION'S APPROACH #1 (all-B7 issue of mm zine; UK, 1984)
THE OTHER SIDE OF THE COIN (story by Jean Airey and Ruth Berman,
with Laurie Haldeman; sequel to THE TOTALLY IMAGINARY
CHEESEBOARD; US, 1991; reprint: UK, 1995)
[Out of the Night (Annita Smith) see BLAKE'S DOUBLES #1]
OUTER WORLDS (assorted stories by Deborah Millitello; US, 1987)
OVERLOAD (UK, early 80s)
[Pattern in Time planned but never published; later reincarnated
as PATTERN OF INFINITY; US)
PATTERN OF INFINITY (historical AUs; US, 1996)
PERIHELION #2 (almost-all-B7 issue of mm zine; US)
PHENOMENON (story by Judith Seaman; sequel to HERO; UK)
PHOENIX #1 (series of stories by Narrelle Harris et al.; AU;
reprinted as webzine)
PHOENIX #2 (series of stories by Narrelle Harris et al.; AU,
1984.6; reprinted as webzine)
PHOENIX #3 (series of stories by Narrelle Harris et al.; AU;
reprinted as webzine)
THE PLAIN MAN'S GUIDE TO ALIEN INVASIONS #1 (fiction zine of
Liberation, Ltd. club; US, 1989)
THE PLAIN MAN'S GUIDE TO ALIEN INVASIONS #2 (US, 1990)
PORT IN A STORM (novella by Lisa York; reprinted from SPACEFALL #3;
UK)
POWER #1 (US, 1989)
POWER #2 (US, 1990)
POWERPLAY #1 (US, 1987)
POWERPLAY #2 (US, 1988.1)
POWERPLAY #3 (US, 1988.7)
POWERPLAY #4 (US, 1989.1)
POWERPLAY #5 (US, 1989.4)
POWERPLAY #6 (US, 1989)
POWERPLAY #7 (US)
PRELUDE TO AN INTERVIEW (story by Linda Knights; reprint; US,
1997)
[Pressure Point (Robert Franks) see under Freedom Party Services
novelette #8]
PRIAM'S TREASURE (story by Mary Jo Dolan; US, 1987.12)
THE PRICE OF FREEDOM #1-4 (novel by Sarah Berry; UK, 1983-4)
[The Price of Justice (Ermentrude Postlethwaite-Smythe) see
LIBERATOR #10]
[Prisoner's Dilemma (Judith Seaman) see AVON #7]
PROBABILITY SQUARE (US, 1989)
PROGRAM #1-4 (series of stories by Judith Seaman; UK, 1986)
[Quest (James Ide, part 3 of 3) never published?]
A QUESTION OF TRUST (Pat Mitchell and S. Stuart; B7/Classic Trek
crossover; UK)
QUESTIONS OF THE PAST (assorted stories by Linda Knights; US, 1992)
THE QUIBELL ABDUCTION (Lillian Shepherd; UK, 1980.7)
[The Quylaar Incident (Margaret Martin) see SLAVE #4]
RAISING HELL #1 (US, 1987.10)
RAISING HELL #2 (US, 1988)
RAISING HELL #3 (US, 1990.5)
RAISING HELL #4 (US, 1991)
RAISING HELL #5 (US, 1992)
RAISING HELL #6 (US, 1994.12)
REBEL #1 (UK, 1985)
REBEL #2 (UK, 1987)
REBEL #3 (UK, 1988)
REBEL #4 (UK, 1988)
REBEL #5 (UK, 1988)
REBEL #6 (UK, 1989)
REBEL #7 (UK, 1990.3)
REBEL #8 (UK, 1990.6)
REBEL #9 (UK, 1990.11)
REBEL #10 (UK, 1991)
REBEL #11 (UK, 1991.7)
REBEL #12 (UK, 1991.11)
REBEL #13 (UK, 1992.1)
REBEL #14 (UK, 1992.6)
REBEL #15 (UK, 1992.10)
REBEL #16 (UK, 1993.2)
REBEL #17 (UK)
REBEL #18 (UK, 1996)
REBEL DESTINIES #1 (US, 1994.1)
REBEL DESTINIES #2 (also available as disk zine; US, 1995)
RECLAIMED (novel by Susan Rotellini; part 1 of 3; US, 1988.7)
RED LIPSTICK
[Redemption (David Metcalfe) see under Freedom Party Services
novellette #2]
REFLECTIONS IN A SHATTERED GLASS (novella by Joe Nazzaro; US, 1989)
RESOURCES
RESTAL'S RULES OF ORDER (fiction zine of the Sopron Alliance; US)
RETURN OF THE SEVEN #1 (US, 1985.5)
RETURN OF THE SEVEN #2 (US, 1987.5)
RETURN OF THE SEVEN #3 (US, 1989.3)
RETURN OF THE SEVEN #4 (US, 1991)
REVELATIONS (story by Leigh Arnold; New Horizons series, part 2;
US)
REVENGE OF THE RABBLE (US, 1989.5)
[Revisionist History (Deb Walsh and Mary Bloemker) see AVON'S 8
COLLECTED, Vol. 1]
THE ROAD TO HELL (assorted stories by Suzan Lovett, reprinted from
various zines; UK, 1996))
ROADS NOT TAKEN (US, 1991)
ROOM TO BREATHE (Anonymous)
[Rumours of Death (Stephanie Lucas) see under Freedom Party
Services novelette #24]
SANCTION ("Keith Black" bootleg of story actually by Linda Webb-
Taylor, from SPACEFALL #5, also in BEST OF SPACEFALL #1; US,
1986?)
[Sand (Dominic Anderson) see under Freedom Party Services
novelette #3]
[Sarcophagus (Dominic Anderson see under Freedom Party Services
novelette #9]
SCORPION (story by Judith Seaman; sequel to stories in THE WAY BACK
#1; UK, ?)
[Seas of God (Sharon Eckman) see THE WEB #3]
[Season in Hell (Deb Walsh and Mary Bloemker) see AVON'S 8
COLLECTED, Vol. 2]
A SECOND BEGINNING (story by Helen Parkinson; UK, 1988.5)
SECOND CHANCE (novella by Dolores J. Whitbread; UK, 1982)
SECOND CHANCE (story by Barbara Johnson; US, 1988)
[Seek-Locate-Destroy (Garry Cullen) see under Freedom Party
Services novelettes]
SELFSEARCH #1-2 (novella by Margaret Scroggs; sequel to FIGHTBACK;
part 2 of 6; UK)
SERRATED SEVEN (US, 1993)
SERIES 5: TRILOGY ONE (series of stories by Patrick Chapman, David
Metcalf, and Kevin Taylor; UK, 1987)
THE SEVEN LIVE ON #1 (US, 1988.4)
THE SEVEN LIVE ON #2 (US, 1989.1)
THE SEVEN LIVE ON #3 (US, 1990.1)
THE SEVEN LIVE ON #4 (US, 1990.7)
THE SEVEN LIVE ON #5 (US, 1991.5)
THE SEVEN LIVE ON #6 (US, 1992.5)
THE SEVEN LIVE ON #7 (US, 1993.5)
THE SEVEN LIVE ON #8 (US, 1994.5)
THE SEVEN LIVE ON #9 (US, 1995.5)
THE SEVEN LIVE ON #10 (US, 1996.5)
SEVENTH SECTOR #1: Velvet and Thorns (novella by Adam Jenson; NZ,
1985)
SEVENTH SECTOR #2: Underworld (novella by Ross Smith and Kathy
Hanson, plus an extra story by Bonnie Andrews; NZ, 1985)
SEVENTH SECTOR #3: Jabberwocky 1: Link-up (novel by Sheila Paulson;
NZ, ?; reprinted in JABBERWOCKY COLLECTED and JABBERWOCKY,
Vol. 1)
SHADES OF GREY (novella by C. K. Smith; US, 1990?)
[Shadow (David Tulley) see under Frontier Worlds Special
Publications]
SHADOW #1 (US, 1987.8)
SHADOW #2 (US, 1987.11)
SHADOW #3 (US, 1988.2)
SHADOW #4 (US, 1988.4)
SHADOW #5 (US, 1989.5)
SHADOW ONE (UK, 1985.2)
SHADOW TWO (UK, 1985)
SHADOW AT THE EDGE (novel by Ann Wortham & Leah Rosenthal; sequel
to LAST STAND AT THE EDGE OF THE WORLD; US, 1995)
SHADOW: IMAGININGS #1 (US, 1988)
SHADOW: IMAGININGS #2 (US, 1989)
SHADOWPLAY (novel by Susan Matthews; sequel to MASCARADA; part 3 of
3; US, 1988)
SHAMAN (linked stories by Joe Nazzaro; US, 1990)
SLAVE #1 (UK, 1982)
SLAVE #2 (UK, 1982)
SLAVE #3 (UK, 1982)
SLAVE #4: The Quylaar Incident (Margaret Martin; UK, 1982)
SLAVE #5 (UK, 1982.12)
SLAVE #6 (UK, 1983.5)
SLAVE #7 (UK, 1983.11)
SLAVE #8 (UK, 1985.2)
SOMETHING...UNFRIENDLY #1 (US, 1988.5)
SOMETHING...UNFRIENDLY #2 (US, 1990)
SON OF SPACE ODDITY (US, 1988.8)
SONGS OF THE SEVEN (filks by Adrian Morgan and Brendan O'Cullane;
no connection to Linda Short filk tape of same name; US)
SOUTHERN SEVEN #1 (US, 1986.11; reprint lacks Hellhound I, which
was reprinted separately)
SOUTHERN SEVEN #2 (US, 1987.10; reprint lacks Hellhound II, which
was reprinted separately)
SOUTHERN SEVEN #3 (US, 1988.8)
SOUTHERN SEVEN #4 (US, 1988.12)
SOUTHERN SEVEN #5 (in 2 vols.; US, 1989.7)
SOUTHERN SEVEN #6 (US, 1991.10)
SOUTHERN SEVEN #7 (US, 1992.4)
SOUTHERN SEVEN #8 (US, 1994.5)
SOUTHERN SEVEN #9 (US, 1994.5)
SOUTHERN SEVEN #10 (US, 1995.5)
SPACE DEBRIS #1 (fiction zine of Flotilla 13 club; US)
SPACE DEBRIS #2 (US, 1991?)
SPACE ODDITY (US, 1987.10)
[SPACE ODDITY #2 see SON OF SPACE ODDITY]
SPACEFALL #1 (fiction zine of Seveners club; UK)
SPACEFALL #2 (UK)
SPACEFALL #3: Port in a Storm (Lisa York; UK)
SPACEFALL #4 (UK, before 1980)
SPACEFALL #5 (UK)
SPACEFALL #6/7/8 BUMPER ISSUE (UK)
SPACEFALL #9 (UK)
SPACEFALL #10 (UK)
SPACEFALL #11 (UK, 1980)
SPACEFALL #12 (UK)
SPACEFALL #13 (UK)
SPIRITS IN THE MATERIAL WORLD (Shawn Wigton; sequel to LIVE TO
TELL; part 3 of ?; US, 1991)
STANDARD BY SEVEN #1 (UK, 1980?)
STANDARD BY SEVEN #2 (UK, 1980?)
STANDARD BY SEVEN #3 (UK, 1980?)
STANDARD BY SEVEN #4 (UK, 1980?)
STANDARD BY SEVEN #5 (UK, 1980?)
STANDARD BY SEVEN #6 (UK, 1980?)
STANDARD BY SEVEN #7 (UK, 1980?)
STANDARD BY SEVEN #8 (UK, 1980?)
STANDARD BY SEVEN #9 (UK, 1981.3)
STANDARD BY SEVEN #10 (UK, 1981.8)
STANDARD BY SEVEN #11 (UK, 1982.4)
STANDARD BY SEVEN SPECIAL #1: Deadly Night Shades (story by
Gillian Marsden; UK, 1983?)
STANDARD BY SEVEN: THE EARLY YEARS I (UK, 1987.10)
STANDARD BY SEVEN: THE EARLY YEARS II (UK, 1995)
STANDARD BY SEVEN: THE EARLY YEARS III (UK, 1996)
STANDARD BY SEVEN: THE EARLY YEARS IV (UK, 1997)
STANDARD BY SEVERAL #1 (fiction zine of Blake's Several club; US,
1987.7)
STANDARD BY SEVERAL #2 (US, 1988.10)
STANDARD BY SEVERAL #3 (US, 1990.6)
STANDARD BY SEVERAL #4 (US, 1993.3)
STAR ONE (UK, 1993?)
STAR TWO (UK, 1994)
STAR THREE (UK, 1996)
THE STAR CHANGE AND OTHER STORIES (stories by Moira Dahlberg; AU;
additional stories were published as add-on supplements)
[Stardrive (Patrick Chapman) see under Freedom Party Services
novelette #6]
STILL LIFE
STRANGERS AMONG US (novella by Ann Harding and Patricia A. Thomas;
B7/classic Trek crossover; UK, 1987)
[Struggle to Live (Kevin Taylor) see under Freedom Party Services
novelette #4]
[The Sum of the Parts (Susan Barrett) see AVON #10]
[Sundowner trilogy (Roberta Stuemke) see ISLANDS, CIRCLES, WAVES]
SURPRISES (story by Linda Knights; edited reprint; US, 1997?)
[Survival (Margaret Martin) see ZYLANORR II: Survival]
SURVIVOR (novella by Leigh Arnold; New Horizons series, part 1; US)
TALES FROM NEW WALES (stories by Sue Bursztynski and Robert Jan;
AU, 1986)
TALES FROM THE REBEL'S RETURN (UK, early 80s?)
TELEPORT #1 (AU)
TELEPORT #2 (AU)
TELEPORT RANGE (UK, 1989?)
THE TENTS OF GOTH (US, 1997)
TERMINAL (UK, early 1980s)
TERMINAL ONE #1 (all-B7 issue of mm zine; UK, 1982?)
THEY WERE ONLY STUNNED (all GP stories; UK, 1982.8)
THOMAS WOLFE WAS RIGHT (novel by Monica Mitchell; AU, 1981.10)
THOSE WHO FAVOR FIRE (all A-B stories; US, 1989)
THOSE WHO TRUST (Angela Churm; UK)
THREADS THROUGH INFINITY (US, 1991)
TIME DISTORT #1 (mm, but mostly B7; US, 1983?)
TIME DISTORT #2 (all-B7 issue of mm zine; US, 1983?)
[Time Lord (tetralogy by Brenda Callagher) see under Airwaves B7
Special #2]
TIME REMEMBERED (novel by Sue Collins; B7/DW crossover; US, 1990)
[Timesquad (Robert Cook) see under Freedom Party Services
novelette #12]
[To Lose, To Win (Patrick Chapman) see under Freedom Party
Services novellette #10]
THE TOTALLY IMAGINARY CHEESEBOARD (novella by Jean Airey and Laurie
Haldeman; US, 1988; reprint: UK, 1995)
A TOUCH OF THE IRISH (play by Narrelle Harris and Shayne McCormack;
AU, 1984)
[Traitor (Simon Gardener) see under Freedom Party Services
novelette #23]
[Ultraworld (Kenneth Nelson) see under Freedom Party Services
novelette #14]
[Uncertain Alliances, Adrian Morgan and Brendan O'Cullane; planned
but never published; US]
UNDERCURRENTS (James Ide; part 1 of 3; US)
[Underworld (Ross Smith and Kathy Hanson) see SEVENTH SECTOR #2]
THE USES OF ADVERSITY (novella by Sheila Paulson; US, 1991)
THE VANTALLA AFFAIR (novella by Margaret Martin; reprinted from
SLAVE #8; UK, 1994.10)
[Velvet and Thorns (Adam Jenson) see SEVENTH SECTOR #1]
VILACON '84 (UK convention contest-winning stories)
VILAWORLD (club newsletter; includes short fiction)
VISIONS IN BLUE (Shawn Wigton; sequel to SPIRITS IN THE MATERIAL
WORLD; part 4 of ?; US)
VOICE OF ORACLE #1 (UK, 1983.12)
VOICE OF ORACLE #2 (UK, 1984.4)
VOICE OF ORACLE #3 (UK, 1984.12)
VOICE OF ORACLE #4 (UK)
VOICE OF ORACLE #5 (UK)
VOICE OF ORACLE #6 (UK, 1987.6)
VOICE OF ORACLE #7 (UK)
VOICES FROM THE PAST (by Gambit [musical group]; lyrics to filk
tape of same name; AU)
VOICES FROM THE PRESENT #1 (US)
VOICES FROM THE PRESENT #2 (US, 1989?)
VOICES FROM THE PRESENT #3 (US, 1991?)
THE VOID AFLAME, LIKE A BONFIRE (novella by Irene Stubbs; US, 1989)
WALLOW PLUS #1 (UK, 1981)
WALLOW PLUS #2 (UK)
WALLOW ZINE (UK, 1979?)
[Warlord (David Metcalfe) see under Freedom Party Services
novelette #7]
WAVES (Roberta Stuemke; sequel to CIRCLES; Sundowner trilogy, part
3; US)
WAVES UPON A MIRRORED SURFACE (story by Linda Knights; edited
reprint; US, 1997?)
[The Way Back (Patrick Chapman) see under Freedom Party Services
novelette #25]
THE WAY BACK (US/UK, 1995)
THE WAY BACK #1 (mostly Judith Seaman stories; UK, 1983)
[The Way It Was (Caroline Robertson) see AVON #5]
THE WAY TO REBELLION, #1-6 (series of novellas by Ros Williams; UK,
1989)
THE WAY TO REBELLION-- A PREQUEL: BLAKE (Ros Williams; UK)
THE WEB #1 (UK, 1986)
THE WEB #2 (UK)
THE WEB #3: Seas of God (Sharon Eckman; DS9 crossover; UK, 1995)
WHAT ON EARTH HAPPENED TO YOU? (post-Star One Blake stories; US,
1997)
WHOMSOEVER HOLDS THIS SWORD (Arthurian-related stories; US, 1992)
THE WORLD TURNED UPSIDE DOWN (novel by Sandy Hall, in 2 vols.; US)
XENON #1 (fiction zine of Aftermath club; AU, 1983.2)
XENON #2 (AU, 1983.12)
XENON #3 (AU, 1984.10)
XENON #4 (AU, 1987.7)
YESTERDAY: MEMORIES OF TODAY (novella by Linda Knights; edited
reprint from GAMBIT #2; US, 1997)
ZEN & THE ART OF REBELLION #1 (US, 1991)
ZEN & THE ART OF REBELLION #2 (US, 1992)
ZEN & THE ART OF REBELLION #3 (US, 1994)
THE ZYLANORR (novella by Margaret Martin; reprinted from SLAVE #s
1-2; UK, 1990.3)
ZYLANORR II: Survival (novel by Margaret Martin; UK, 1990.3)
--------------------------------
End of blakes7-d Digest V98 Issue #21
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